Cameron Astles | Graphic Design Portfolio

CAMERON ASTLES DESIGN

RISD ’23

New York–based designer currently working at Caudalie. Focused on brand systems, packaging, and typography across beauty, lifestyle, and culture.  Available for select freelance projects.

 
Inquiries: castles@risd.edu





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In this project, I explored the power of typography to create a visually resonant experience that would enhance the reader’s understanding of a text. I was particularly interested in how typesetting could be used to reflect the organic and evolving nature of ideas.

I chose Jenny Odell's essay "On How to Grow an Idea" because I was drawn to its insights on the importance of nurturing ideas and allowing them to grow organically. I felt that this theme could be reflected in the typographic treatment through the use of a variety of fonts, sizes, and weights, as well as strategic use of white space.

I began by doing a deep reading of the text. I wanted to understand the text on a deep level so that I could create a typographic treatment that would be truly reflective of its meaning. I paid attention to the language, the structure, the tone, and the overall message of the text. I also thought about how the printed page could change the meaning of a text. I considered the relationship between text and the page, and how the physical form of the text could affect the way it is read and interpreted.




Ultimately, I decided to use a typographic treatment that was both experimental and playful. I wanted to create a design that would reflect the organic and evolving nature of ideas, and that would encourage readers to slow down and savor the text.

I used a riso printer and a laser printer to print the books. The riso printer is a versatile machine that can produce high-quality prints with a variety of effects. However, it is also known for its quirks, such as misregistration, which is when the colors of the print do not align perfectly. I decided to embrace these quirks as a way to add a sense of handmade touch to the books. The laser printer is a more precise machine, but it can produce a cold and sterile look. I used the laser printer to print the text of the books, while the riso printer was used to print the decorative elements. This combination of techniques created a visual contrast that I felt reflected the duality of ideas, both as organic and evolving entities, and as fixed and tangible objects.

The final product is a set of 10 hand-bound books that are both beautiful and thought-provoking. I hope that they will inspire others to nurture their own ideas and grow them into something meaningful.